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Protesters dragged, beaten up at China's Manchester consulate_我的网站

A |     London, Oct 17 (UNI) A Hong Kong pro-democracy protester was pulled into Chinese consulate grounds in Manchester and beaten up over alleged display of an inappropriate portrait of Xi Jinping.

The UK Foreign Office said it was urgently seeking clarity on the incident. Greater Manchester Police has launched an investigation, the BBC reported.

The BBC filmed unidentified men coming out of the consulate and forcing the man inside the compound, before he escaped with the help of police and other demonstrators.

The protester told the BBC "they dragged me inside, they beat me up".

A consulate spokesperson said protesters had displayed an insulting portrait of China's president.

Speaking after the incident, the protester, called Bob, told BBC that "mainlanders" - people from mainland China - had come out of the consulate and destroyed their posters.

"As we tried to stop them, they dragged me inside, they beat me up," he said, adding that he was then pulled out by the police.

"It's ridiculous. They shouldn't have done that. We are supposed to have freedom to say whatever we want here (in the UK)."

Consulate staff had previously asked the protesters to move to the opposite side of the street, the BBC said.

There were two police officers present at the protest, the BBC report added, saying but several more appeared within minutes of the altercation beginning.

They gathered at the gates of the compound trying to break up the fighting and move protesters back.

One police officer entered the consulate grounds and pulled the man who had been dragged inside back out.

At least eight men, some of whom were wearing helmets and protective vests, then returned to the consulate building.

The consulate is on UK soil, but cannot be entered without consent. Any offence committed on diplomatic premises is subject to UK law, but employees may hold diplomatic immunity.

Reacting on Twitter, former Conservative leader Iain Duncan Smith said the UK government should demand a full apology from the Chinese ambassador, and that those involved should be sent back to China.

The demonstrators were protesting as the Communist Party congress began in Beijing.

Chinese President Xi had said he had turned the situation in Hong Kong from "chaos to governance", referring to China's suppression of pro-democracy protests there.

A spokesperson for the consulate said the protesters had "hung an insulting portrait of the Chinese president at the main entrance".

"This would be intolerable and unacceptable for any diplomatic and consular missions of any country. Therefore, we condemn this deplorable act with strong indignation and firm opposition," the spokesperson added.

A spokesperson told the BBC, Greater Manchester Police was aware of the incident. "Officers were present and responded immediately to diffuse the situation," they said. "Enquiries are ongoing at this time to understand the full circumstances."

UNI ING。    

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
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